As part of the new music community in the United States, we recognize the ways in which White supremacy and anti-blackness foster grave inequities in our field. We recognize our collective responsibility to change that. We acknowledge the historical exclusion that people of color have faced in the new music ecosystem, the systems of oppression that have perpetuated this exclusion, and, in spite of all this, the profound impact that artists of color have had on new music. To rectify this legacy of White supremacy and racism, the resulting inequities and injustices, and to actively participate in its replacement with a more diverse and equitable future, we join New Music Equity Action in making the following pledges:
We immediately commit ourselves to the work of dismantling the inequitable status quo in new music, and will specifically make doing so part of our mission statement, artist statement, and/or organizational goals.
We pledge to engage in active support of disenfranchised communities and individuals when they are faced with structural exclusion or targeted retribution by institutions or individuals within our field.
We commit ourselves to embodying a new culture of transparency in new music by publicly and consistently providing relevant demographic information regarding programming, commissioning, collaborating artists, personnel, et cetera.
We recognize that the perpetuation of exclusion is in part due to institutionally-reinforced ignorance. We commit to actively broadening our awareness of artists and repertoire from excluded communities, and make an ongoing commitment to the development and improvement of the skills we need to effectively engage in antiracism work.
We commit to disrupting cycles of privilege by evaluating the resources (financial and otherwise) that we have access to and developing strategies to share, leverage, or redirect resources to benefit historically disinvested communities.
We commit to treating these pledges as a first step, and will continue to participate in the ongoing fight against racism and inequity in the field of new music by remaining engaged with our peers as part of a continuing collaborative coalition for justice -- reaching out for help when we need it and providing support to others when we can.
As part of this coalition effort to dismantle inequity in the field of new music, we join with our peers in making a commitment to develop and make public by the end of the 2020–21 season a comprehensive five-year cultural equity plan for our programming, commissioning, and artistic collaborations to fully reflect the diversity of the United States or its most diverse communities.
Read the list of signatories below
We acknowledge that the language we use matters a great deal: words are how we describe ourselves and construct the world around us. We also understand words mean different things in different contexts and evolve in continuously-changing ways. We know our terminology might function differently in other countries or cultural contexts.
We use the following terms in this how-to guide in a best attempt to reflect our current moment in time, within the context of the communities we expect to be involved in this pledge. We encourage suggestions and recommendations to help keep our terminology current & inclusive.
Cultural equity - “Embodies the values, policies, and practices that ensure that all people are represented in the development of arts policy; the support of artists; the nurturing of accessible, thriving venues for expression; and the fair distribution of programmatic, financial, and informational resources.” - Americans for the Arts, Statement on Cultural Equity
Disinvested/Disinvestment - Literally refers to reducing or withdrawing an investment: often used to describe a neighborhood or a community of people that face inequitable distributions of resources due to the withdrawal or elimination of publicelimination public & private funds. (Contrast to terms such as “communities in need”, which suggest failure or deficits on the part of the community itself)
ALAANA - An acronym for African, Latinx, Asian, Arab, or Native American.
People of Color - First popularized in the 1960’s by Black Civil Rights activists, this term is generally used to refer to anyone who does not identify as White.
BIPOC - This term is an acronym for “Black, Indigenous, and People of Color”. This term originated more recently and names Black and Indigenous people in addition to People of Color, specifically, in an attempt to highlight the particularly concentrated forms of discrimination Black and Indigenous people face.
Latinx - Refers to people of Latin American heritage, and is a gender-neutral or nonbinary alternative to Latino or Latina.
The above terms are all used in this document at various points. For more on the history of these terms, listen to Code Switch: What it means to be a person of color or read “People of Color are protesting…” by Efren Perez in the Washington Post
In general in this document, we: